Flower Window
This work is a reconstruction of the ceiling painting created in 2007 at BankART Sakura-so, a lone space that existed along the Ooka River just after the removal of all illegal stores along the river and before the current Koganecho Bazaar was built. Reminiscing the memories of the short but intense time spent in the open studio space without curtains under the colorful luminous flower paintings, I will make a work that crystallizes the time back then and the time up to the present.
Wild Water Veins – Signposts to the Loophole
There are moments when the scenery we are accustomed to seeing and the stories that seem so stable are unexpectedly shifted by exercising a little bit of intuition. It is fun to walk the streets with masking tape and a pen, thinking about what shape would look best in this place or that place, just like an instant mural.
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Yusuke ASAI
Born 1981 in Tokyo. Asai creates works with a gentle response to the environment, such as “Masking Plant,” a series of marker drawings of plants on masking tape, “Mud Painting,” are paintings created from the soil and water harvested at the sites of his residencies, and “White Lines that Became Plants,” in which he cuts out animal and plant forms from sheets of thermoplastic material used for making white road lines and then prints them onto the asphalt using a burner. Asai explores the inherent nature of painterly expression through his unrestrained approach to painting. The flora and fauna that Asai depicts, seem to represent the ecosystem of the universe. The wildness that tends to be lost in urban areas is replanted in all places.