35°27’43”N 139°37’38”E

Guerrilla-style drawn characters with iconic overtones, emotions that demonstrate their identity and intention within the parameters of the objects they regulate, such as billboards and signs, these graffiti (graffiti) are vestiges of the human consciousness left behind in the city. An existence with no permanence, but is likely to remain as a transient reminder of the city. The rapid strokes of graffiti are carved into wood suspending its time by transforming it into a sculpture. The city’s memories will be embedded into sculptures, preserving them as records of the city.

BankART Station

Taichi YOSHIMURA

Born 1986 in Hyogo Prefecture. Yoshimura engages in works that evoke human consciousness, vestiges, and memories. In recent years, he has been producing a series of three-dimensional wooden reconstructions of leftover graffiti in the streets. Major exhibitions include “Frieze seoul 2023 -Focus Asia-” at coex (Seoul, 2023) and a solo exhibition “34°40ʼ33 “N 135°29ʼ55 “E” at Marco gallery (Osaka, 2022).